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The article offers information on the exhibition The 200 Years of the Fine Arts Academy Munich and the resulting extensive publication (589 pp.), both organized and published in 2008. It concentrates on the role of the academy in pursuing artistic progress in 19th century painting with a specific stress put on contacts with the environment in Eastern Europe (e.g. painters Mihaly Munkacsy, Laszlo Mednaszky).
Italian artistic journeys belong to the most important themes in European art-historical writings, since the artistic production of Italian centres performed in a long term the 'codified' model and basis for the rest of Europe. Despite this, the phenomenon has not been systematically worked-out in Slovak art history. The present study is one of the first attempts of Slovak art history to map the travels...
Via analysing the fresco decoration of the Piarist Church in Prievidza by Viennese painter Johann Stephan Daniel Bopovsky-Bujak (1751 - 1753), the paper takes a closer look at the activities of the Piarist Order in Central Europe, beside the Jesuits the second most prominent educational order of the Counter Reformation, established by St. Joseph Calasanz in 1597. The early arrival of the order in...
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