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The article addresses the question of the 'Gesamtkunstwerk' as a keyword with which to describe the ideal of modern culture. The programme of a 'Gesamtkunstwerk' was first explicitly formulated in the mid-nineteenth century by Richard Wagner in his essays 'Art and Revolution' and 'The Artwork of the Future' written in exile in Zurich after the failure of the German revolution in 1849. Traditionally...
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