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In cinema, the post‐apocalypse has become a recurring theme offering endless opportunities to envisage and keep on reimagining the end of the world as we know it. Here MarkFisher explores the post‐apocalyptic in Children of Men (2006), The Road (2006) and Terminator Salvation (2009), and asks whether these seminal films point towards a tendency to imagine the end of existence over the end of capitalism...
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