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This essay argues that Maggie Thrash’s Honor Girl navigates a multi-liminal space allowing it to participate in and expand upon traditions that already exist within children’s literature, graphic memoirs, the comics medium, and the history of girl camps as homosocial spaces. By discussing graphic memoirists for adults (such as Alison Bechdel and Phoebe Gloeckner) and children (such as Raina Telgemeier...
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