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A widespread belief among scholars and connoisseurs of the Japanese color woodblock print (nishiki-e) holds that synthetic dyes were imported from the West in the 1860s, and soon came to be used for all nishiki-e colorants during the Meiji period. These “cheap imported aniline dyes” are widely described as “gaudy”, “garish”, and “strident”, and thought to stand in sharp contrast to more muted “natural”...
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