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This paper proposes an approach whereby the regional contrasts in snap-shot style portrait photographs are enhanced using pre-modern portrait paintings as aesthetic exemplars. The reference portrait painting is selected based on a comparison of the existing contrast properties of the painting and the photograph. The contrast style in the selected reference painting is transferred to the photograph...
This paper addresses the aesthetic enhancement of contrasts in saturation and luminance in a landscape photograph to follow the organization of such contrasts in landscape paintings. Different from many existing work on similar topics that mainly emulate the surface characteristics of a painting, this paper presents a technique that transfer the contrast organization in landscape paintings inter and...
Using Itten's Color Contrasts as a starting point, we performed a depth-based analysis of a set of paintings by the Hudson River school of landscape painters. This was compared to a similar analyses of a collection of contemporary `snap shot' landscape photographs. Differences between the two groups were observed with the paintings being clearly more organized. This organization of contrasts can be...
This paper proposes a way to transfer the visual style of a painting as characterised by colour contrast to a photographic image by manipulating the visual attributes in terms of hue, saturation and lightness. We first extract the visual characteristics in hue, saturation and lightness from a painting. Then, these characteristics are transferred to a photographic image by histogram matching in saturation...
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