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The Job Was Being Done: A conversation about Dominika Macocha’s video-sculptural installation 50°31’29.7”N 22°46’39.1”E, 50°30’56.2”N 22°46’01.0”E, 50°30’41.0”N 22°45’49.5”E.This article is a record of a discussion concerning Dominika Macocha’s video-sculptural installation 50°31’29.7”N 22°46’39.1”E, 50°30’56.2”N 22°46’01.0”E, 50°30’41.0”N 22°45’49.5”E. The work deals with the uses of discourse and...
This article is a record of a discussion concerning Dominika Macocha’s video-sculptural installation 50°31’29.7”N 22°46’39.1”E, 50°30’56.2”N 22°46’01.0”E, 50°30’41.0”N 22°45’49.5”E. The work deals with the uses of discourse and landscapes in mechanisms of camouflaging the crimes perpetrated on Jews by Poles during the Holocaust. The author lays bare and deconstructs these mechanisms – above all the...
The main theme of the text is the wartime and postwar history of the area of the German Nazi extermination camp Treblinka II, seen from the perspective of the production of landscape – with a special focus on the identity aspect, i.e. the nationalization of nature and the naturalization of the nation. The argument refers to imaging conventions of nature and ethnographic photography, like the German...
Corpus Christi, Corpus Delicti: A new narrative contract. Władysław Pasikowski’s Aftermath (2012) and the invalidation of the category of the Polish Witness to the HolocaustWładysław Pasikowski’s 2012 feature film Aftermath recapitulates and works through the existing resources in documentary cinema that deals with the Polish context of the Holocaust (Claude Lanzmann, Paweł Łoziński, Marian Marzyński,...
Witnesses to their own cause. The dominant Polish narrative about the Holocaust during the HolocaustAfter Dariusz Libionka’s pioneering treatise entitled Berkom Joselewiczom już dziękujemy… [Bereks Joselewiczs, goodbye and good luck...] (2009), this is the second analysis of Maria Kann’s canonical and paradigmatic pamphlet. This time the research question is: why did the Holocaust not delegitimize...
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