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No matter how contemporary music videos differ across genres, aesthetic styles, and production background, they usually focus on the performer’s face. Exploring its opacity and agency, this essay argues that contemporary music video production replaces the face as an expression of the subject’s interiority and identity with a media-affective interface whose main function is to amplify the video’s...
Over the past two decades, the “affective turn” has substantially influenced different humanities such as political theory, sociology, cognitive psychology and aesthetics. Literary studies, however, take a rather distant stance, overlooking affects as unanalysable emotional responses or mere reader’s affections. Drawing on recent works in media philosophy, film theory and visual anthropology, this...
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