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Land art and geographical haiku, or the art of associationsThe author analyses the practices of land art as the examples of transversality and multimodality that reach beyond the logics of representationalism, especially when the artwork is considered as the networked object including documentation, context of its production and the various instances of the auctorial paratexts. Such an investigation...
The article focuses on the practices relevant for digital mapping based on dynamic data processing and GIS. I argue that participatory mapping can be seen as a form of data driven activism and as such it is first and foremost the example of the collective knowledge. Hence, the primary function of the images (e.g. maps) produced in the process is not so much the representation of the city as rather...
Remix vs. mashup – on how two cybercultural metaphors resonate The article is concerned with the gentle shift within theorizing on cyberculture where the well known and much publicized metaphor of remix has often been employed as a paradigmatic tool to describe the culture of constant reconfiguration as well as (according to Lawrence Lessig’s famous statetment) Read/Write culture. Given the popularity...
Composing the World while Listening – Sound as CommunicationIn this article, the notion of acoustic communication is being examined. The author propose the thesis that shift toward meditational qualities of sound environments as well as the main strategies of minimalist aesthetics (with the example of John Cage being the most exemplary) can be seen as the radical reconfiguration of traditional communication...
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