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PHILOSOPHICAL-AESTHETIC SOURCES AND PREMISE OF JAN SMREK'S 'SUNNY BOOKS' (Filozoficko-esteticke zdroje a vychodiska 'knih slnecnych' Jana Smreka)

Michal Habaj

Slovenská literatúra (Slovak Literature) > 2011 > 58 > 3 > 259-271

The goal of the study is to place the poetry of Jan Smrek's 'sunny books' into the wider philosophical, artistic and cultural-aesthetic context of the early 20th century. The influence of Bergson's philosophy on the artistic thinking, culture and sensibility of modernist literature of the time proves to be more and more significant. In the context of the philosophy of life (Bergson, Dilthey, etc.)...

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ADDITIONAL REMARKS ON 'BASNIK A ZENA' (TWO VERSIONS OF THE SAME POEM) (Dodatok k Basnikovi a zene (dve verzie jednej basne))

Michal Habaj

Slovenská literatúra (Slovak Literature) > 2010 > 57 > 6 > 552-559

The aim of the article is to show the process of transformation of Smrek´s poetic gesture according to how the differences between the versions of poetic composition Basnik a zena (The Poet and the Woman) published in the magazine (1925) and in the book (1934. The second, the third and the forth chapter of the poetic composition published in the book (1934) differs from its version published in the...

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JAN SMREK: THE POET AND THE WOMAN (Jan Smrek: Basnik a zena)

Michal Habaj

Slovenská literatúra (Slovak Literature) > 2010 > 57 > 5 > 446-482

The aim of the study is to point out the ethical, moral foundation of Smrek's artistic philosophy, his concept of love and erotic in the context with his poetic composition Basnik a zena (The Poet and the Woman). The poetic composition Basnik a zena (The Poet and the Woman) was published in 1934. It was ten years later than the first four chapters of it were published in the magazine. That is why...

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JAN SMREK (EVA AVE)

Michal Habaj

Slovenská literatúra (Slovak Literature) > 2009 > 56 > 3 > 188-200

The aim of the study is to find a place for the poetic composition 'Eva Ave' in the context of Smrek's official work as an integral part of it, and point out aesthetic, ethical and value residue that make the composition a part of Smrek's poetic model of a man and world. The poetic composition 'Eva Ave' was unofficially published under the pseudonym Cavaliere senza nome in 1942 and in a radical way...

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EMIL BOLESLAV LUKAC

Michal Habaj

Slovenská literatúra (Slovak Literature) > 2009 > 56 > 5-6 > 381-394

The aim of the paper is to determine basic semantically -aesthetic coordinates of the Emil Boleslav Lukac's debut 'Spoved' (Confession,1922) and to search 'topoi' of home in the context of his collections of poems 'Dunaj a Seina' (Danube and Seine,1925) and 'Spoved' (Confession, 1929). In the same year as the debut by E. B. Lukac 'Spoved' (Confession) a debut of Jan Smrek 'Odsudeny k vecite zizni'...

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SUBJECTIVE TRUTH OF MEMOIRS (MEMOIRS OF A. PLAVKA, J. PONICAN AND J. SMREK) (Subjektivna pravdivost memoarov (Spomienkove prozy A. Plavku, J. Ponicana a J. Smreka))

Karol Csiba

Slovenská literatúra (Slovak Literature) > 2009 > 56 > 3 > 216-220

The paper is based on an analysis and interpretation of three memoirs. Its main goal is to harmonize the relations and the gaps between cultural memory and the role of literature. The next aim of the paper is to outline a stratification of transformations after the ruptures of constitutional law in 1918. Memoirs written by Jan Smrek, Jan Ponican and Andrej Plavka represent different variants of approaches...

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JAN SMREK (GALLOPING DAYS)

M. Habaj

Slovenská literatúra (Slovak Literature) > 2008 > 55 > 6 > 405-421

The aim of the study is to show the residua of poetic world in the book 'Cvalajuce dni' (Galloping days), which altogether with the aesthetic realisation itself accent or presume ethical origin as a primary source of Smrek's poetic gesture. Jan Smrek's second collection of poems 'Cvalajuce dni' (Galloping days) was published in 1925: opposite to his debut it brought radical change in terms of aesthetics,...

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JAN SMREK (CONDEMNED TO ETERNAL THIRST)

M. Habaj

Slovenská literatúra (Slovak Literature) > 2007 > 54 > 6 > 443-453

The aim of the study is to determine a specific place of Jan Smrek's debut in the context of his poetry and to point out its organic connection with the following collections of poems, although typologically and aesthetically different from the first one book. With regard to Smrek's poetry as a whole, the author interprets the religious and Biblical residua of decadently symbolic provenience in his...

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PHILOSOPHICAL-AESTHETIC SOURCES AND PREMISE OF JAN SMREK'S 'SUNNY BOOKS' (Filozoficko-esteticke zdroje a vychodiska 'knih slnecnych' Jana Smreka)

ADDITIONAL REMARKS ON 'BASNIK A ZENA' (TWO VERSIONS OF THE SAME POEM) (Dodatok k Basnikovi a zene (dve verzie jednej basne))

JAN SMREK: THE POET AND THE WOMAN (Jan Smrek: Basnik a zena)

JAN SMREK (EVA AVE)

EMIL BOLESLAV LUKAC

SUBJECTIVE TRUTH OF MEMOIRS (MEMOIRS OF A. PLAVKA, J. PONICAN AND J. SMREK) (Subjektivna pravdivost memoarov (Spomienkove prozy A. Plavku, J. Ponicana a J. Smreka))

JAN SMREK (GALLOPING DAYS)

JAN SMREK (CONDEMNED TO ETERNAL THIRST)

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