After the end of the social realism in Polish photography in the mid-1950s, the critics turned to the problems of modernity, metaphor and reportage. The critics, mainly Janusz Bogucki and Urszula Czartoryska, reflected on the artistry of photography and its value principally on the basis of the categories of realism and report documentality. Czartoryska, on the other hand, tried to relate them to...
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