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The article discusses a two-volume edition of 'Szkice' (Sketches) by a forgotten prose writer of the latter half of 19th century, who used the pseudonym 'Klin'. A thesis is proposed that these texts may be associated with a modern essayistic discourse, to be justified by analysing the texts' poetics - in particular, the way the author's 'I' is shaped. Description of its kinship, but not identity,...