The aurhor offers a new interpretation of Joel and Ethan Coen's 'Barton Fink' (1991), which is polemical towards a postmodern intertextual perspective. To him the key to the interpretation of the film is the concept of self-creative subjectivity; it has been mothballed by post-modernism as a relic of modernism but is enthusiastically revived in the works of Agata Bielik-Robson. In non-subjectoclastic...
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