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Szymanowski's readings and his novel 'Efebos' are revised as important sources for the opera 'King Roger' (began in 1918 and finished in 1924). Some of the essential aesthetic ideas are then described, such as the principle of 'coincidentia oppositorum', as expressed in the contrasting of the elements in the libretto and music. The authoress observes that music contains only references to the most...
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