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This paper, which came into being as part of a wider monographic project, explores the functional and aesthetic dimensions of the use of the local dialect of Radošina in the work of the prominent Slovak playwright Stanislav Štepka and in the productions of the Radošina Naive Theatre. Štepka is very closely attached to Radošina. Radošina is a source of inspiration for him; he deals both with its positive...
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