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Witold Szalonek (1927-2001) did not limit himself in his artistic activity to composing instrumental, vocal and vocal-instrumental works. He was also very active as a pedagogue, music promotor and musicologist-theorist. His writings reflect the tendency (popular among composers in the 2nd half of the 20th century) to comment on the aesthetic phenomena of historical and contemporary music culture,...
Polish avant-garde music after 1956 has often been described by the term 'sonoristic', introduced into Polish musicology by the musicologist Józef Chominski. This trend, characterized by an emphasis on texture and timbre and often coupled with non-traditional instrumental and vocal techniques, became known as 'sonorism' [sonorystyka] and associated with the term 'Polish School'. While this paper touches...
In his theory of sonology aiming at the systematization 20th-century sound phenomena Józef M. Chominski's managed to create a unique theoretical system, unprecedented in the musical thought of the 20th century, which on the one hand reflected changes in compositional techniques and on the other opened up to composers perspectives of creating new sound systems, regulators of timbral qualities and new...
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