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Michael Meredith of MOS Architects examines his own practice's preoccupation with physics and the particle‐oriented world, and the persistent problem of meaning and meaninglessness against the backdrop of the architecture of a previous era: a period that spanned the Deconstruction movement of the late 1980s and closed with Greg Lynn's seminal 1997 Architecture After Geometry edition of AD.
When Greg Lynn embraced digital animation software in the 1990s, he not only redefined architectural production, but also the designer's relationship to the generative process. In this extract from an unpublished essay written in 2000, the philosopher Brian Massumi describes Lynn's ‘in‐folding’ open‐ended approach, which renders the design process ‘less an external conduit for the artist's creativity’...
The series of Jacques Derrida and Peter Eisenman meetings, which took place in the period of 1985–1987, induced many authors to make comments. Some of them (Jeffrey Kipnis, Ann Bergren, Maria Theodorou) developed the subject of chôra which was introduced to the discussion by Derrida. The problem that was about to be solved was the question of tying up the concept of chôra with architecture, including...
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