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This essay explores the meanings and identities of toys and puppets in three Czech feature films, which collectively cover a range of animation techniques (constituting a new definition of what it means to ‘play’ with these toys). Jiří Bárta’s Na půdě aneb Kdo má dneska narozeniny (In the Attic: Who Has a Birthday Today?, 2009), Jan Svěrák’s Kuky se vrací (Kooky, 2010), and Jan Švankmajer’s Něco z...
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