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The essay summarizes an extended analysis of relations between text and music in Pierre Boulez's cycle 'Pli selon pli'. Composed in 1958-1964, the cycle consists of three vocal-instrumental pieces and two outer movements which are instrumental, with accidental interventions of the human voice. 'Pli selon pli' draws upon poetic texts of Stéphane Mallarmé, the avant-garde French symbolic author. The...
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