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Ethnographic films hold great historical value for the communities in which they were filmed, yet people in source communities often lack access to them. Visitors engaging in ‘visual repatriation’ of ethnographic film can enrich both sides of the ethnographic exchange. I review my experiences screening ethnographic films with Trobriand Islanders, their reactions, and the various ways in which local...
Making a film about tourism and being a tourist can often look like the same thing—an outsider with a camera, gazing at a community and people through a lens. And while using a camera in the field can render the ethnographer more legible and logical to one's interlocutors, the production of a film using footage gathered during fieldwork demands an acknowledgment of one's responsibility and relationship...
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