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Zarówno w wykładzie noblowskim, jak i w swoich esejach Olga Tokarczuk proponuje własną koncepcję literatury, którymi elementami są projekt nazywany przez nią ognozją, koncepcja narratora czwartoosobowego (panoptykalnego) czy też rozumienie i funkcja mitu, a szerzej – wszelkiej narracji. Jak sama przyznaje, jej koncepcję można uznać za alterreligijną. Ona sama odwołuje się do natury narracji biblijnej,...
Louise Glück repeatedly refers to the Bible and classical mythology, even when writing about poignantly personal issues. Far from being mere high-brow literary embellishments, these cultural quotes and intertextual analogs testify to Glück’s consistent attempt to transcend the traditionally personalist scope of lyric poetry. Such a resolutely transpersonal perspective is particularly discernible in...
The article offers insights on the reception and literary transmission of the religious and biblical threads running through the astronomical treatise Introductorium compendiosum in Tractatum sphaerae materialis Ioannis de Sacrobusto of Jan of Głogów. As a narrative and historical book, the Bible offered a broad market for tales in both oral and written form and apocryphal works of fiction, which...
Biblical scholars have been exceedingly slow to grasp the implications of the Heisenberg principle, namely, that the observer is always a part of the field being observed, and disturbs that field by the very act of observation. In terms of the interpretive task, this means that there can be no question of an objective view of Jesus “as he really was.” “Objective view”; is itself an oxymoron; every...
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