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The article discusses Aleksandra Svininaʼs film on Cvetaevaʼs life in France which traces her links with European culture to Cvetaevaʼs family upbringing, her childhood and her adolescence. The film was made in 2010 and was well received by the audience both in Russia and in France. It utilises many biographical materials and findings of Cvetaevaʼs biographer and translator Veronique Lossky as well...
There are many pictures of Kharms, the differences between them dependent on the way other people saw him and, in Kharms's self-portraits, on the various functions and roles the poet ascribed to himself. In the iconography of Kharms the self-portraits have a special place. They concentrate on the face (en face and in profile) and on the costume. Functional elements in them are the principle of the...
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