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The article’s main subject refers to some magical aspects of the literary communication which might be observed in the selected examples of Polish fairy tale, composed in the nineteenth century and at the beginning of the twentieth one. The crucial issue of the article concerns a certain relationship between the magic words’ and the silence’s forms and the folk world...
The ritual „Gramada” is a typical tradition of the Bulgarian ethnic territories that appeared between the end of the 19th and the beginning of the 20th century. It represents a symbolic way of „escorting” (a sort of symbolic funeral) of a dead man, who committed an act unacceptable for the community, upon the world of the dead. The „Gramada” ceremony is observed as piling up some stones on a sacral...
Beliefs and perceptions of word are based on existing mythological layer of culture that has specific mechanisms and functions. This mythological context of word determines its acceptance as a magical tool that has a certain force of impact. The power of speech is invisible, but exactly by the word, the individual and the community identify themselves and provide a link between...
In Doctor Zhivago, Pasternak brings scientific and political discourses into dialogue with magical ones. In an emblematic episode, two soldiers from opposing sides each wear a protective amulet containing the „miraculous” text of the 90th Psalm. One dies; one survivesWhile this discrepancy is easily traced to scientific and socioeconomic causes, the episode isdesigned to foreground the...
Expansion of capitalism to former communist countries was presented, especially by many intellectuals, as a scientific endeavor based on rational choice theory, management techniques and precisely measured market forces. For many practitioners of ‘transformation’ the neo-liberal project became also similar to proselytizing religion that has to be spread among infidels, i.e. communism-ridden...
This article analyses a construction of figure of žrec in the introductory canto of historical epic Ljutovid written by Croatian romantic writer Ivan Dežman. Žrec is a religious-magical figure which comprises functions of priest, prophet and magician. By applying reviewed readings of Austin’s speech acts theory, the article focuses on the performative dimension of žrec’s prophetic utterances,...
This article discusses the notion of magic in the poetics of Marina Tsvetaeva (1892–1941) against the backdrop of romanticism and Russian modernism. Magic is related to the poet’s explorations of folklore, and also to Romantic, symbolist and futurist invocations of it. Concepts of magic are central to Tsvetaeva’s poetics; she considers conjuration to be a property of language ...
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