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This article discusses Czesław Miłosz’s ambiguous relationship with American beat and confessional poetry as well as with the counterculture of the 1960s. It focuses on one of Miłosz’s late poems dedicated to Allen Ginsberg, published in Facing the River in 1994. The poem, though ostensibly about Ginsberg, is in fact one of the most confessional poems the Polish poet has ever written, presenting his...
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