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Musical myths are relevant to both music history and cultural anthropology. They typify a culture not simply through their contents, but through their very existence. Interpretations of music as material culture prevail, but there are also anthropomorphic myths. Considered as a world-wide phenomenon, is 'Music' one thing or many different things? The relative continuity of the term itself encourages,...
In 1611 and 1620 the Silesian Estates and the city of Wroclaw welcomed their newly elected overlords (Matthias II and Frederick V) with traditional celebrations. Although the outward forms of the celebrations (processions, liturgies, triumphal arches, and polychoral music) were displays of fealty by the royal subjects, the communication was not one-sided - Wroclaw and the Estates had messages to deliver...
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