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On several occasions Roman Ingarden accused Hartmann of using his ideas concerning the stratified structure of a work of art. In this paper, thw aurhor shows that the dependence between the two concepts has no genetic character. First of all, Hartmann formulated general solutions about such objects before Ingarden published 'Das literarische Kunstwerk'. Already in the 'Grundzüge einer Metaphysik der...
Roman Ingarden devoted many of his philosophical works to the question of purely intentional objects. According to him, works of art are such objects. He investigated their ontological and epistemological aspects. Taking inspiration from his remarks on the cognition of purely intentional objects, and referring to Edmund Husserl's investigations, this paper sketches a general scheme of the cognition...
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