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The paper deals with screen fictional violence (TV and cinema). The analysis focuses on the genres of gangster, war, horror and action films. The interesting point in the paper is the evolution of means of violence visualization, until the postmodernist version without context or interpretation. The psychology of reception and the paradox of receptive pleasures drawn from watching brutal scenes are...
Although Michel Foucault is not considered a television critic, his social theory can be applied in the theory of television. The authoress attempts to show relations between such terms as Panopticon, discourse, episteme, power/knowledge or political technology of the body with selected television analyses. The article draws a lot of attention to the issue of the viewer, his relations with television...
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