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Scelsi's 'Hurqualia' (1960), first of his six works for grand orchestra, differs substantially from the rest of his output. The analysis of different aspects of the works permits to describe its characteristic features and symbolism. Whereas Scelsi's idiom relies mainly in Indian-Tibetan evocations, it is the spirit of Arabia, which resonates in this work. One of the elements, which reflect it, is...
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