Musicologica Slovaca et Europaea

Items from 1 to 20 out of 33 results

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SIGNAL RECONSTRUCTION PROCESSES AND THE POSSIBILITIES OF THE ELIMINATION OF DEGRADATIONS IN FINAL STAGES OF THE RECONSTRUCTION OF A MUSICAL RECORDING

S. Nagy

Musicologica Slovaca et Europaea > 2005 > 22 > 105-124

The increase of the computing output and of the speed of disc recording medium enabled the development of new technologies of signal processing in digital domain, whose basic characteristic is a low degree of degradation of recorded signal content. The development of these technologies oriented on the decreasing of the signal degradations has a cardinal influence on the formation of new acoustic-aesthetic...

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A FEW REMARKS ABOUT MUSICAL CULTURE AND THE FUNCTIONS OF MUSIC SHAPED BY THE MEDIA

R. Podpera

Musicologica Slovaca et Europaea > 2005 > 22 > 9-24

The study does not aim at statistical evaluation of the frequency of musical representation in mass media. Its goal is to capture in qualitative terms the important phenomena in this sphere of contemporary culture. They include links between culture and the market, mass character of the arts, musical fetishism, dual character of manifest and latent functions of music in the media and the new conditions...

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SPECIFIC ARTISTIC AND CREATIVE FEATURES OF THE PRODUCTION AND BALANCE ENGINEERING IN THE RECORDINGS OF CLASSICAL MUSIC

P. Suska

Musicologica Slovaca et Europaea > 2005 > 22 > 31-46

The artistic quality of a musical audio recording depends to a significant degree on creative activities of the recording producer and the balance engineer. These professions do not have equivalent names in English and in German, as their functions are not identical in different traditions. Musical recording is a sound recording with certain technical and aesthetic parameters as well as a recording...

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'MUSICA AETERNA' ENSEMBLE IN SLOVAK MEDIA - SLOVAK RADIO AND THE 'MUSICAL LIFE' JOURNAL

V. Bakicova

Musicologica Slovaca et Europaea > 2005 > 22 > 169-184

The study deals with the reflection of the artistic activities of the 'Musica Aeterna' ensemble that has not been researched so far - it casts a probe to the broadcasting frequency in the Slovak Radio and its Devin Channel and studies the ensemble bibliography in the 'Hudobný zivot' (Musical Life) journal during the whole period of the existence of the ensemble in 1973-2003. Evaluation of the presented...

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RECORDING OF MUSIC FOR FILM AND TELEVISION: MICROPHONE TECHNIQUES AND FURTHER PROCESSING OF THE RECORDED SIGNAL SOURCES

J. Grecnar

Musicologica Slovaca et Europaea > 2005 > 22 > 67-88

Preparing music for television has its specific features. Sound recording by microphones belongs among most difficult activities in electro acoustics, because it includes a lot of immeasurable subjective elements. Electro acoustic chain of good quality is the basic prerequisite, harmony between the recorded sound and the space acoustics as well as the artistic professionalism of the sound engineer...

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SEMIOTIC APPROACH TO THE 'TOTAL BALALAIKA SHOW' PROJECT

N. Adamov

Musicologica Slovaca et Europaea > 2005 > 22 > 163-168

'Total Balalaika show' is a name of a sixty minute-long documentary by Aki Kaurismäki about a concert of a Finnish rock band 'The Leningrad Cowboys' and a Russian army band 'The Alexanders' in Helsinki (12th June 1993). Fusion of two archetype symbols of western and eastern music represents one of the most radical semantic shifts in the period after the fall of iron curtain. An interaction took place...

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VIDEO CLIP: ITS CHARACTERISTICS, DEVELOPMENT, CLASSIFICATION AND RECEPTION

S. Grich

Musicologica Slovaca et Europaea > 2005 > 22 > 125-131

Video clip has its origins in participation of popular music in the rapid development of video technology and in a specific encounter of the needs and possibilities of pop music and TV broadcasting. Its early history reaches as far as the forties of the twentieth century, the development of video clips in mid-sixties was anticipated by films about popular musical groups. Contemporary video clips are...

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JAN MORY AND THE FIRST PERFORMANCES OF HIS OPERETTAS IN BRATISLAVA IN THE FIRST HALF OF THE 20TH CENTURY (Jan Mory a bratislavske inscenacie jeho operiet v prvej polovici 20. storocia)

Marianna Bardiova

Musicologica Slovaca et Europaea > 2006 > 23 > 117-140

The composer and hotel owner Jan Mory (1892-1978) entered the scene of the Slovak National Theatre in Bratislava in 1932 as the well-known author of vocal, chamber, orchestral and musical-theatre works. They were successfully played at some concerts and the theatre stages in the twenties and the thirties of the 20th century, especially in Germany, Czech Republic and Slovakia. At that time the Slovak...

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LETTERS OF MUSIC PUBLISHING HOUSE BREITKOPF & HAERTEL IN JOHANN BATKA MUSIC COLLECTION (Listy hudobneho vydavatelstva Breitkopf & Haertel v hudobnej zbierke Jana Batku)

Eva Szoradova

Musicologica Slovaca et Europaea > 2006 > 23 > 193-214

The article deals with one of the music publisher, Breitkop & Haertel, projects: with the edition of the complete works of Franz Liszt. Some distinguished musicians from Hungary, mostly Liszt's pupils, participated in revision of several Franz Liszt's works of 'Hungarian character', that means the compositions, where the title indicated the Hungarian relations and they were written in Hungarian...

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MILAN LICHARD AND HIS THEORY OF SLOVAK FOLK SONG (Milan Lichard a jeho teoria slovenskej ludovej piesne)

Hana Urbancova

Musicologica Slovaca et Europaea > 2006 > 23 > 58-116

In the 19th century a folk song motivated musical-theoretical way of thinking in Slovakia in a close connection with a composition practice of adaptation and harmonization. The theory of Slovak folk song in Milan Lichard's (1853-1935) work documents permeation of this orientation till the 20th century. Lichard linked to older opinions concerning analogy between folk tunes and historical forms of modality...

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WAGNER - RICHTER - BATKA: ON THE RECIPIENT IDENTIFICATION OF ONE LETTER (Wagner - Richter - Batka: K identifikacii adresata jedneho listu)

Jana Lengova

Musicologica Slovaca et Europaea > 2006 > 23 > 164-192

Two letters written by Richard Wagner in connection with Bratislava are known in Slovak music historiography. The first one is from the 29th August 1871 (Tribschen), which has remained as a well-preserved copy. It was addressed to the Bratislava archivist, Johann (Jan, Janos) Batka (1845-1917), that was active as a musical critic and organiser. The supposed recipient of the second Wagner's letter...

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ACTIVITIES OF THE SLOVAK MUSIC SOCIETIES IN BRATISLAVA BETWEEN TWO WORLD WARS (Cinnost slovenskych hudobnokulturnych spolkov v Bratislave v medzivojnovom obdobi)

Ema Kurajdova

Musicologica Slovaca et Europaea > 2006 > 23 > 141-163

After the WW I two new-founded Slovak musical societies participated on concert life in Bratislava: 'Osvetovy zvaz pre Slovensko' (Educational Association for Slovakia) and 'Umelecka beseda slovenska' (Artistic Forum of Slovakia). Both musical societies engaged besides foreign artists also Slovak performers with Slovak compositions. 'Osvetovy zvaz pre Slovensko' organised season concerts between 1926...

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ON THE MIGRATION OF MUSICIANS: MUSIC DIRECTOR JOHANN ZAJITZ (1800-1854) (K migracii hudobnikov: Vojensky kapelnik Johann Zajitz (1800-1854))

Vjera Katalinic

Musicologica Slovaca et Europaea > 2006 > 23 > 215-226

One of the music directors ('Kapellmeisters') whose works have been recently identified is Johann Zajitz (1800, Domasin, Bohemia - 1854, Rijeka/Fiume, Croatia), the music director of the 45th infantry regiment Baron Mayer. He was the father of Ivan Zajc (1832-1914), the most famous Croatian composer in the second half of the 19th century. In 1830 he came from Bratislava to Rijeka with his regiment,...

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JOSEF STRICZL AND BRATISLAVA (Josef Striczl a Bratislava)

Jana Lengova

Musicologica Slovaca et Europaea > 2006 > 23 > 11-67

The paper presents a new knowledge about the activity of Honved music director Josef Striczl (1871 Wiener Neustadt - 1949 Sopron) in Bratislava during the years 1898-1915. It affords his short biography and analyses his repertoire, both symphony concerts and military concerts with entertaining music, his original works and correspondence with Johann Batka. Josef Striczl, a graduate of the Vienna Conservatory,...

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LITURGICAL CELEBRATION AS A BASIS FOR UNDERSTANDING RITUAL MUSIC

V. Dufka

Musicologica Slovaca et Europaea > 2006 > 24 > 59-70

The elements of the liturgical prayer are associated with the characteristics of the liturgical/ritual music. Four theological dimensions of the liturgical prayer are briefly explained in this study. They are dimensions of anamnesis, dimension of epiclesis and intercession, doxological dimension of the praise and thanksgiving and community dimension. These dimensions are applied to sung prayer, to...

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NEW PARADIGM OF LITURGICAL MUSIC: GLOBAL VERSUS LOCAL

Y. Kajanova

Musicologica Slovaca et Europaea > 2006 > 24 > 137-158

The global culture presents a new type of civilization, multinational society, which reaches over the national, state and historical limits. The local culture forms itself as unique in the communities and subcultures. The music becomes the most important artistic communication form in the new millennium. At the concrete examples we try to point out the insensitive way of using the music in the programs...

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MUSIC IN CURRENT LITURGY AS AN OBJECT OF RESEARCH STRATIFICATION. DETERMINANTS OF DEVELOPMENT

R. Podpera

Musicologica Slovaca et Europaea > 2006 > 24 > 7-57

The complexity of surround of contemporary liturgical music in Slovakia is clarified. Numerous of current phenomena are casual deep-rooted in the past, so for their understanding it is necessary to return to the historical, social and another connections. Interest of the problems lies in intersection of three phenomenon: constantly topical reflection of liturgical reform of the Second Vatican Council,...

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UNIVERSA LAUS DOCUMENT II AS THE SPRINGBOARD FOR NEW WAYS OF UNDERSTANDING LITURGICAL MUSIC

B. Mrackova

Musicologica Slovaca et Europaea > 2006 > 24 > 227-248

The essay is a way of commentary to the second document Universa Laus 'Music in Christian liturgies'. The association Universa Laus itself, its history and the documents that come from it are briefly presented here. The following commentary then does not directly follow the text of the second document, it rather tries to point out some of the topics it brings and to confront them with some other documents...

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THEOLOGICAL JUSTIFICATIONS OF COMPOSING NEW LITURGICAL SONGS - ANTIPHONS, QUASI-ANTIPHONS, AND THE SELECTION OF VERSES

A. Konecny

Musicologica Slovaca et Europaea > 2006 > 24 > 111-136

The Second Vatican Council gave a possibility and requirement to create a national folk liturgical song. Council designated the Gregorian Choral as an ideological model and determined his most important sources: The Holy Scripture and the liturgical texts. The new creation has mission 'deeper into sources of liturgy'. The form and content of the new tradition has a pattern in 'Graduale Romanum' or...

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GOSPEL MUSIC: TERMINOLOGICAL ISSUES AND THE DEVELOPMENT OF THE GENRE IN SLOVAKIA

J. Jakubikova

Musicologica Slovaca et Europaea > 2006 > 24 > 165-186

The study maps the development on Slovak gospel music scene from 1989, sectionalizes it from cultural-historical aspect to the several periods and defines them in more detail upon their individual characteristics. It presents key Christian music groups and personalities, whose music production has lead to formation and qualitative progress of Slovak gospel music. Problems of terminology are also discussed.

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2006 (26)
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Slovak (31)
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MUSIC (5)
LITURGICAL MUSIC (4)
BATKA JOHANN (3)
LITURGY (3)
SLOVAKIA (3)
GOSPEL MUSIC (2)
MILITARY MUSIC (2)
MUSIC RECORDING (2)
MUSIC TERMINOLOGY (2)
'MEDIEVAL' MODAL SYSTEM (1)
'MUSICAL LIFE' JOURNAL (1)
AESTHETICS (1)
ANCIENT MUSIC INTERPRETATION (1)
ANTIPHON (1)
AUDIOVISUAL RECORDING (1)
AUDITORY AESTHETICS (1)
AUDITORY CULTURE (1)
BALANCE ENGINEER (1)
BERGER ROMAN (1)
BRATISLAVA (1)
BREITKOPF & HAERTEL - MUSIC PUBLISHERS (1)
CATHOLIC CHURCH (1)
CATHOLIC LITURGICAL MUSIC (1)
CHRISTIAN LITURGY (1)
CHRISTIAN MUSIC (1)
CHRISTIAN MUSIC GROUPS (1)
CLASSICAL MUSIC INTERPRETATION (1)
COMPOSERS (1)
CONCERTS IN TELEVISION (1)
CONTEMPORARY CULTURE (1)
CONTEMPORARY LITURGY IN SLOVAKIA (1)
CONTENT ANALYSIS (1)
CROATIA (1)
CZECH MUSIC (1)
DATABASES (1)
DEVOTIONAL MUSIC (1)
DODECAPHONIC (1)
EASTERN MUSIC (1)
EDUCATION (1)
ELECTRONIC RESOURCES (1)
ETHNOMUSICOLOGY (1)
FILM MUSIC (1)
FOLK LITURGICAL SONGS (1)
GLOBALIZATION (1)
GOSPEL (1)
GREEK CATHOLIC LITURGICAL MUSIC (1)
HONVEDS (1)
INTERMODAL QUALITY (1)
INTERWAR PERIOD (1)
JALOVECKY JAN (1)
LATIN LITURGY (1)
LEXIGROGRAPHY (1)
LICHARD MILAN (1)
LISZT FRANZ (1)
LITURGICAL BOOKS (1)
LITURGICAL MOVEMENTS IN SLOVAKIA (1)
LITURGICAL MUSIC IN SLOVAKIA (1)
LITURGICAL PRAYER (1)
LITURGICAL REFORMS (1)
LOCAL CULTURE (1)
MASS CULTURE (1)
MEDIA INFLUENCE (1)
MICROPHONE TECHNIQUES AND TECHNOLOGY (1)
MILITARY CONCERTS (1)
MORY JAN (1)
MULTIMEDIA (1)
MUSIC CONSUMPTION (1)
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MUSIC FUNCTIONS (1)
MUSIC IN MEDIA (1)
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MUSIC THEORY (1)
MUSICAL AESTHETICS (1)
MUSICAL DRAMATURGY (1)
MUSICAL FETISHISM (1)
MUSICAL RECORDING (1)
OPERETTA (1)
OPERETTA GENRE (1)
POPULAR MUSIC (1)
PROGRAMS QUALITY (1)
RECORDING MEDIUM (1)
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RELIGIOUS SONGS (1)
RHYTHMICAL SONGS (1)
RICHTER HANS (1)
RITUAL MUSIC (1)
SACRED MUSIC (1)
SACRED SONGS (1)
SECOND VATICAN COUNCIL (1)
SEMANTIC SHIFTS (1)
SIGNAL DEGRADATIONS (1)
SIGNAL PROCESSING (1)
SLOVAK COMPOSERS (1)
SLOVAK CONCERT LIFE (1)
SLOVAK FOLK SONG (1)
SLOVAK MUSICAL SOCIETIES (1)
SLOVAK NATIONAL THEATRE (1)
SLOVAK RADIO (1)
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INFONA - science communication portal

Musicologica Slovaca et Europaea

SIGNAL RECONSTRUCTION PROCESSES AND THE POSSIBILITIES OF THE ELIMINATION OF DEGRADATIONS IN FINAL STAGES OF THE RECONSTRUCTION OF A MUSICAL RECORDING

A FEW REMARKS ABOUT MUSICAL CULTURE AND THE FUNCTIONS OF MUSIC SHAPED BY THE MEDIA

SPECIFIC ARTISTIC AND CREATIVE FEATURES OF THE PRODUCTION AND BALANCE ENGINEERING IN THE RECORDINGS OF CLASSICAL MUSIC

'MUSICA AETERNA' ENSEMBLE IN SLOVAK MEDIA - SLOVAK RADIO AND THE 'MUSICAL LIFE' JOURNAL

RECORDING OF MUSIC FOR FILM AND TELEVISION: MICROPHONE TECHNIQUES AND FURTHER PROCESSING OF THE RECORDED SIGNAL SOURCES

SEMIOTIC APPROACH TO THE 'TOTAL BALALAIKA SHOW' PROJECT

VIDEO CLIP: ITS CHARACTERISTICS, DEVELOPMENT, CLASSIFICATION AND RECEPTION

JAN MORY AND THE FIRST PERFORMANCES OF HIS OPERETTAS IN BRATISLAVA IN THE FIRST HALF OF THE 20TH CENTURY (Jan Mory a bratislavske inscenacie jeho operiet v prvej polovici 20. storocia)

LETTERS OF MUSIC PUBLISHING HOUSE BREITKOPF & HAERTEL IN JOHANN BATKA MUSIC COLLECTION (Listy hudobneho vydavatelstva Breitkopf & Haertel v hudobnej zbierke Jana Batku)

MILAN LICHARD AND HIS THEORY OF SLOVAK FOLK SONG (Milan Lichard a jeho teoria slovenskej ludovej piesne)

WAGNER - RICHTER - BATKA: ON THE RECIPIENT IDENTIFICATION OF ONE LETTER (Wagner - Richter - Batka: K identifikacii adresata jedneho listu)

ACTIVITIES OF THE SLOVAK MUSIC SOCIETIES IN BRATISLAVA BETWEEN TWO WORLD WARS (Cinnost slovenskych hudobnokulturnych spolkov v Bratislave v medzivojnovom obdobi)

ON THE MIGRATION OF MUSICIANS: MUSIC DIRECTOR JOHANN ZAJITZ (1800-1854) (K migracii hudobnikov: Vojensky kapelnik Johann Zajitz (1800-1854))

JOSEF STRICZL AND BRATISLAVA (Josef Striczl a Bratislava)

LITURGICAL CELEBRATION AS A BASIS FOR UNDERSTANDING RITUAL MUSIC

NEW PARADIGM OF LITURGICAL MUSIC: GLOBAL VERSUS LOCAL

MUSIC IN CURRENT LITURGY AS AN OBJECT OF RESEARCH STRATIFICATION. DETERMINANTS OF DEVELOPMENT

UNIVERSA LAUS DOCUMENT II AS THE SPRINGBOARD FOR NEW WAYS OF UNDERSTANDING LITURGICAL MUSIC

THEOLOGICAL JUSTIFICATIONS OF COMPOSING NEW LITURGICAL SONGS - ANTIPHONS, QUASI-ANTIPHONS, AND THE SELECTION OF VERSES

GOSPEL MUSIC: TERMINOLOGICAL ISSUES AND THE DEVELOPMENT OF THE GENRE IN SLOVAKIA

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