Slovenské divadlo (Slovak Theatre)

Items from 1 to 20 out of 40 results

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ON THE ISSUE OF CONTENTS IN DRAMA DIRECTION

A. Noskovic

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 1 > 106-116

More than four decades a study by teoretician and historian Alexander Noskovic was lying in the archives of the Theatre and Film Cabinet of SAS. The author of the study deals with the meaning and the functions of dramatic directing in theatre. Noskovic is reflecting on then fresh experience of the Slovak theatre with limiting applications of Stanislavski's creative method. Due to the fact that he...

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ZUZANA KRONEROVÁ OR TRAGIC WITH A FACE AND SOUL OF A CLOWN?

Z. Bakosova-Hlavenkova

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 1 > 21-37

The study is dedicated to a significant personality of the Slovak dramatic art, Zuzana Kronerova, who started in the Theatre for Children and Youth in Trnava /1974/. Here she cooperated mainly with a director Juraj Nvota and a dramaturgist Mirka Cibenkova. In 1970 she changed for the drama theatre Nová scéna (New scene) in Bratislava. In this phase under command of a director V. Strnisko all her expressive...

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BURLAS' 'COMA': 'LITTLE SCOPE - GREAT VOLUME'

M. Benova

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 1 > 52-57

Martin Burlas - 'Coma': minimal opera (scope, music, librettos - sung aphorisms) with a great value of expression. The character of a patient in his (inner) status of coma perceives virulence of the surrounding (outer) world. Who is the patient? The play on spectators brings an experience to every one - associations connected to spectators' experience. 'Coma' is an alternative: untraditional grasping...

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PATHS OF SLOVAK DRAMATIC ART

A. Matasik

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 1 > 12-20

The study is a part of a prepared monography on two great generations of the Slovak dramatic actors. The founders of the Slovak professional theatre were drawing experience mainly from Czech colleagues who in 1920 had started in Bratislava and in the Slovak countryside performing under the title the Slovak National Theatre. Borodac was aiming at professionalisation of the Slovak theatre slowly and...

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IMMORTALITY OF ACTORS

A. Kret

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 1 > 58-62

70 years will lapse this year since Constantin Sergeyevich Stanislavski (1863-1938) died. He lived more than 70 years out of which almost forty years he was a personality known over all Russia and later also worldwide. Stanislavski really stirred the theatrical world. At least he succeeded in codifying and upgrading dramatic art into a specific stage creation. Actors before Stanislavski from great...

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WHAT IS THEATRE, IT IS SURELY NOT FOR REAL

M. Olha

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 1 > 77-105

An editorial office continues in publishing profile interviews with meaningful personalities of the Slovak theatre by a contribution by Matus Olha and Stefan Hudak. Stefan Hudak, a scenic designer, native of Velky Saris (27th June 1942) belongs to the generation which was entering an active artistic life in sixties of the last century. Even while studying still, he had cooperated as a scenographer...

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MACHATA'S LEAVE FOR DESERT .

L. Cavojski

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 1 > 3-11

A prominent historian of the Slovak theatre is commemorating by his study a significant life jubilee of one of the excellent Slovak theatre, film and radio actor, Karol Machata. He is summarizing his artistic creation since his beginnings in the theatre of Martin, where among others he had played the main role in Mahen's drama 'Janosik' and by his extraordinary dramatic talent helped in discovering...

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METAMORPHOSES OF MANON

V. Blaho

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 1 > 38-51

The author in his study deals with the opera fates of a tale which was published as the seventh part of memoires of Abbe Prevost 'Manon Lescaut' (Histoire du chevalier des Grieux et de Manon Lescaut). It is interesting that the story of Manon and her knight did not specially impressed dramatists, on the contrary - it has landed and up to these days is seated on the throne of the musical theatre stages...

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A MUSICAL AND THEATRICAL NOTEBOOK OF A TRNAVIAN

L. Cavojsky

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 2 > 142-181

The author continues in examining theatrical (and this time simultaneously also musical) traditions in Trnava. The Jesuit University had its residence here for almost a half century (1635-1677). Roman Catholic Church had during the Turkish occupation of a big part of the Ugrian kingdom its supreme authority, the temporary residence of Esztergrom archbishopric in this city (1543-1820). The centre of...

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LIBRETTO AND SONG LYRICS IN MUSICAL THEATRE

P. Oravec

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 2 > 182-203

The author, a pedagogue at the University of Constantinus Philosopher in Nitra, is examining a modern theatre genre - the musical creation. The musical has become a fashion, a synonym of something extraordinary and worldwide, regardless of its quality. It has almost aggressively started appearing at theatre posters. This phenomenon is observable almost in the whole Europe. We will have to cope with...

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JACQUES COPEAU, THEATRE VIEUX-COLOMBIER AND HIS SCHOOL

S. Drouin

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 2 > 131-135

The authoress, worker of Bibliotheque Nationale de France in Paris, a governor of the Copeau Fund which contains the most important part of the hereditament of this French theatrician, briefly summarizes the most important phases of his life. She is focusing mainly on issues of his dramaturgy, his cooperation with French authors who were constantly being performed by him during his entire creative...

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WHAT IS THEATRE, IT IS SURELY NOT FOR REAL- PART II

M. Olha

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 2 > 216-235

The article is a completion of the profile interview with the extraordinary Slovak scenographer Stefan Hudak from No.1/2008. In this part the main subject of the dialogue became Hudak's cooperation with the theaters in Kosice, apart from the State Theatre with the Theatre Thalia whose stagings are performed in the Hungarian language and Romanthan - the only Professional Romani theatre in the Central...

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ASSOCIATION OF THE SLOVAK NATIONAL THEATRE

F. Bokes

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 2 > 236-258

The study by a historian Frantisek Bokes (1906 -1968) from the beginning of the 60-ies of the 20th century has been preserved in the archives of the Cabinet of Theatre and Film of the Slovak Academy of Sciences. The study is dedicated to analysis of development in the period of the first years of existence of the Slovak National Theatre from the aspect of the social - administrative connections of...

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PIER PAOLO PASOLINI IN CZECH-SLOVAK RECEPTION

A. Urbanova

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 2 > 204-210

The article is an extract from a wider drafted study focusing at the issue of reception of artistic impulses of the Italian film director, writer and dramatist Pier Paolo Pasolini in the Slovak cultural context. Since until 1993 (the origin of the independent Slovak Republic) a part of cultural impulses was coming into the social awareness through the Czech sources, the authoress is trying to naturally...

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CONCEPTION OF THEATRE IN VARIATIONS OF TIME OR HURBAN'S PARADOXES

E. Kusnirova

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 2 > 211-216

The authoress deals with the theatrical activities of one of the leading representatives of the Slovak revolution 1848/49, Jozef Miloslav Hurban. This Protestant priest (whose wife became one of the first actresses about whom contemporary references in press have been preserved), belonged to the stirrers and supporters of the theatrical activities where he could see an effective way to wake up the...

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SEVERAL REFLECTIONS ON HERITAGE OF COPEAU

M. Romain

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 2 > 136-142

The authoress, a scientific worker of the 'Societe d'Histoire du Theatre' in Paris deals with the history of the French theatre of the 20th century. She is an authoress of the monography on Leon Chancerel. In her contribution she reminds a great response provoked by work of Jacques Copeau in the French and European theatre. Mainly it is his clear - cut conception purifying the stage from excessive...

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THE PAST VERSUS THE PRESENT, OR, THE PRESENT (AND THE FUTURE?)

D. Podmakova

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 3 > 282-288

The authoress maps out the changes in the direction of the theatre in the period in question based on her deliberation of production elements (dramaturgy, direction, actor's means of expression, stage design, theatre space), and she also gives a general overview of the current situation in the theatre. She is especially intrigued by the diversity of themes, artistic means of expression, and principles,...

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OUT OF THE THEATRE

Z. Ulicianska

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 3 > 314-318

The author elucidates the trend of the conversion of non-theatrical space to meet the needs of theatrical productions (sweeping conversions, or, remodelling for one off space use). In addition to a general characteristics of site-specific productions and giving examples from other countries, she maps out the situation in Slovakia, such as in 'Stanica Zilina-Zarecie' (The railway station Zilina-Zarecie),...

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METAMORPHOSES...

D. Podmakova

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 3 > 279-281

This past decade, we have been witnessing marked changes in the Slovak theatre, which are more about poetics and the manner of the theatrical production of our time rather than the institutional nature of the theatre. To put it differently - they relate to the sets of the knowledge of artistic devices creating different styles and directions in modern drama and dramatic expression of theatre artists...

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INTERPRETATIVE STRATEGIES OF THE CONTEMPORARY THEATRE OR, THE THEATRE AS INTERPRETATIVE BEING

D. Institorisova

Slovenské divadlo (Slovak Theatre) > 2008 > 56 > 3 > 302-313

The paper focuses on the basic interpretative strategies of the contemporary theatre; it outlines the current situation from the theoretical point of view and presents its form by using concrete drama texts. The paper interconnects the knowledge of the so-called Nitra school in literary science and aesthetics with the knowledge of this domain in the context of the theatre, thus contributing to the...

Year:
2008

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56 (40)

Publication language

Slovak (37)
English (2)
Hungarian (1)

Keywords

SLOVAK THEATRE (6)
SLOVAK NATIONAL THEATRE (4)
COPEAU JACQUES (2)
FRENCH THEATRE (2)
HUDAK STEFAN (2)
POETICS OF SLOVAK THEATRE (2)
SLOVAK DRAMA (2)
SLOVAK OPERA (2)
'MANON LESCAUT' - OPERA (1)
ABSURD DRAMA (1)
AFFINITY OF SLOVAK AND EUROPEAN DRAMA (1)
ALTERNATIVE THEATRE (1)
ALTERNATIVE THEATRE IN SLOVAKIA AFTER 1989 (1)
ARCHIVE IN VATICAN (1)
ARTAUD ANTONIN (1)
ARTISTIC ADAPTATION OF 'MANON' (1)
BECKETT SAMUEL (1)
BORODAC JAN (1)
BURLAS MARTIN (1)
CHANGES IN SLOVAK THEATRE (1)
CHANGES IN THEATRE DIRECTION (1)
CHEKHOV’S 'THREE SISTERS' IN SLOVAK THEATRE (1)
CLASSICAL PLAY'S DRAMATISATION (1)
COMMEDIA DELL’ ARTE (1)
CONTEMPORARY DRAMA (1)
CONVENTIONAL THEATRE (1)
DOCUMENTARY MOVIES IN SLOVAKIA (1)
DON CAMILLO (1)
DRAMATIC ART (1)
DRAMATIC ARTS (1)
DRAMATIC SCHOOLS (1)
DRAMATIC TENSION IN PROSE TEXTS (1)
DVORAK ANTONIN (1)
EAST SLOVAKIAN THEATRE MAKERS (1)
EUROPEAN DRAMA (1)
EXPERIMENTAL THEATRICAL STREAMS (1)
FEMINISTIC THEATRE (1)
FOLK TRADITION IN PUPPET THEATRE (1)
GUARESCHI GIOVANNI (1)
HISTORY OF FRENCH THEATRE (1)
HISTORY OF SLOVAK PROFESSIONAL THEATRE (1)
HISTORY OF SLOVAK THEATRE (1)
HISTORY OF THEATRE (1)
HURBAN MILOSLAV JOZEF (1)
ITALIAN MOVIES (1)
JAMNICKY JAN (1)
KRONEROVA ZUZANA (1)
LANGUAGE FUNCTION IN ABSURD DRAMA (1)
LESSING G.E. (1)
MACHATA KAROL (1)
MIMESIS AND FICTION (1)
MIMESIS AND FICTION RELATION (1)
MINIMAL OPERA (1)
MODERN DRAMA IN SLOVAK THEATRE (1)
MUSIC THEATRE (1)
MUSICAL (1)
MUSICAL LIBRETTO (1)
MUSICALS IN SLOVAKIA (1)
NITRA SCHOOL IN THE CONTEXT OF THEATRE (1)
NON-THEATRICAL SPACE (1)
OPERA DIRECTORS IN SLOVAK THEATRE (1)
OPERA DIRECTORS' SPECIALIZATION (1)
ORIGINAL AUTHORIAL PROJECT (1)
PASOLINI IN SLOVAK CULTURE CONTEXT (1)
PASOLINI PAOLO PIER (1)
PERFORMERS OF MUSICALS IN SLOVAKIA (1)
PLURALITY OF THEATRICAL FORMS (1)
PUPPET THEATRE IN SLOVAKIA (1)
SACRAL PERFOMANCES (1)
SACRAL THEATRE IN ITALY (1)
SCENIC DESIGNERS (1)
SELECTED DRAMA TEXTS OF SEVERAL ACTORS (1)
SLOVAK ACTORS (1)
SLOVAK CLASSICAL PLAYS (1)
SLOVAK COMPOSER (1)
SLOVAK CONTEMPORARY THEATRE (1)
SLOVAK DRAMA AFTER 1900 (1)
SLOVAK DRAMA DIRECTION (1)
SLOVAK DRAMATIC ART HISTORY (1)
SLOVAK DRAMATIC ARTS (1)
SLOVAK MODERN PROSE (1)
SLOVAK MUSICAL PRODUCTION (1)
SLOVAK OPERA PRODUCTION (1)
SLOVAK PRODUCTION OF MUSICALS (1)
SLOVAK PUPPET THEATRE (1)
SLOVAK PUPPETRY (1)
SLOVAK SCENOGRAPHER (1)
SLOVAK SCENOGRAPHY (1)
SLOVAK THEATRE IN FIFTIES (1)
SLOVAK THEATRE SCIENCE (1)
SLOVAK THEATRICAL CULTURE (1)
SMETANA BEDRICH (1)
STAGE CREATION (1)
STANISLAVSKI C.S. (1)
STANISLAVSKI'S CREATIVE METHOD (1)
THEATERS IN KOSICE (SLOVAKIA) (1)
THEATRE AS INTERPRETATIVE BEING (1)
THEATRE GENRE (1)
THEATRE MAKERS (1)
THEATRE PROFESSIONALS IN EAST SLOVAKIA (1)
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INFONA - science communication portal

Slovenské divadlo (Slovak Theatre)

ON THE ISSUE OF CONTENTS IN DRAMA DIRECTION

ZUZANA KRONEROVÁ OR TRAGIC WITH A FACE AND SOUL OF A CLOWN?

BURLAS' 'COMA': 'LITTLE SCOPE - GREAT VOLUME'

PATHS OF SLOVAK DRAMATIC ART

IMMORTALITY OF ACTORS

WHAT IS THEATRE, IT IS SURELY NOT FOR REAL

MACHATA'S LEAVE FOR DESERT .

METAMORPHOSES OF MANON

A MUSICAL AND THEATRICAL NOTEBOOK OF A TRNAVIAN

LIBRETTO AND SONG LYRICS IN MUSICAL THEATRE

JACQUES COPEAU, THEATRE VIEUX-COLOMBIER AND HIS SCHOOL

WHAT IS THEATRE, IT IS SURELY NOT FOR REAL- PART II

ASSOCIATION OF THE SLOVAK NATIONAL THEATRE

PIER PAOLO PASOLINI IN CZECH-SLOVAK RECEPTION

CONCEPTION OF THEATRE IN VARIATIONS OF TIME OR HURBAN'S PARADOXES

SEVERAL REFLECTIONS ON HERITAGE OF COPEAU

THE PAST VERSUS THE PRESENT, OR, THE PRESENT (AND THE FUTURE?)

OUT OF THE THEATRE

METAMORPHOSES...

INTERPRETATIVE STRATEGIES OF THE CONTEMPORARY THEATRE OR, THE THEATRE AS INTERPRETATIVE BEING

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