The subject of the work on iconography of Ancient Greece is also undertaken by the authoress. In her text she undertakes profound interpretation of the labyrinth of signs: dance, gesture, body, rhythm, ritual and those that are created in the relations and actions of the characters from the story in the performance 'Theseus in the Labyrith'. She also records fragments of different versions of the myth and in relation to these draws her associations and possible lines of interpretation.
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