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In Jean Pierre Jeunet and Marc Caro's 'City of Lost Children', the image of childhood takes on the role of a fetish, as defined by Neo-Freudian psychoanalysis. The primordial childhood fear is revealed in the split picture of artificial dreams present in the prologue, and the image of dreams just before the end of the film. Both scenes of this disturbing film are grounded in the same symbolic space...
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