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AIn the article the authoress attempts to show the work of Michael Haneke from the perspective of hermeneutic, post-theoretical thought, at the same time treating Haneke's films as an example of politically engaged cinema. Using the ideas of Slavoj Zizek (and therefore indirectly Lacan's psychoanalysis), the leftist film theorist Todd Mc Gowan, the French New Wave, the films of Michelangelo Antonioni,...
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