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As part of the topic I decided to speak about the dramatic opus of Goran Stefanovski, mostly for three chief reasons which are elaborated in the paper: 1. The thematic constant of his dramatic worldview is to represent Macedonia (namely, the Balkans and its Slavic population) against the ‘big, white western world’ of Europe and the US. This East-West imagological conditionality and juxtaposition of...
The article demonstrates the construction of the notion of Europe during the modernization of Bulgarian society during the historical period from the Bulgarian Renaissance (1762) until the end of 20th century. The perception of Europe in Bulgaria depends mostly on the almost five-century-long Ottoman rule of Bulgarian lands which detached Bulgaria from the European civilization. Therefore, for the...
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