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The paper is an attempt to analyze the artistic books of Jaroslaw Kozlowski, produced in the 1970s, in the contexts of language, subjectivity, and absence. These issues, as well as the problem of relations between the discourses of art and philosophy, the author claims to be crucial not only for Kozlowski's whole oeuvre, but for the conceptual art in general, of which Kozlowski's books are a unique...
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