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This article aims to be a contribution to debate of the typology of the modern and post-modern subject which has once again flared up in connection with the work of Slavoj Žižek and Alain Badiou. I attempt to show that the subject is connected with a suicidal dimension which creates space marked off from a given context. Firstly I attempt to interpret Benjamin’s paper Charles Baudelaire. Ein Lyriker...
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