The essay, which speaks about folk violin-makers, tries to create a certain model for the approach to that specific part of Czech music culture. Such a model is based on the thorough organological analysis of maintained instruments made by one of the producers. Martin Kuca from Straznice, a farmer and wine-grower, who made his music instruments just for laughs, has been chosen as an example. Three of the safeguarded instruments made by him are a part of collections at the National Institute of Folk Culture in Straznice (violin, viola and baset/violoncello); the other instruments are owned by his family. Purity in workmanship of his string instruments and their carefully worked construction bear witness to quite high level of folk violin making in Moravia and hopefully refute deep-routed theses on imperfection of musical instruments made by folk producers. The instruments themselves as well as the condition of aids (moulds) and tools used by violin maker Martin Kuca show, inter alia, the carefully worked-out technological procedures.
Financed by the National Centre for Research and Development under grant No. SP/I/1/77065/10 by the strategic scientific research and experimental development program:
SYNAT - “Interdisciplinary System for Interactive Scientific and Scientific-Technical Information”.