The author draws our attention to increased interest in the issue of Sarmatism as part of research into Polish cultural history. Within a set of related topics, some scholars are interested not really in the 'historic matter' of novels written at that time, but rather, a specificity of standpoints at disposal of the circle's authors - in other words, the structures of subjectivity and of the works. The issues at stake are analysed using the example of the output of Henryk Rzewuski, taking a closer look at it in the context of a most recent research state-of-play.
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