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(Title in Polish - 'Siedem spiewów historycznych w rekopismiennym wirydarzu poetyckim z Lubelszczyzny konca XIX wieku. Do pamiatek polskiej tradycji piesniowej'). The paper discusses the song content of a poetic pleasure manuscript collection , formed in 1892-1896, owned by Boleslaw Telatycki of Czemierniki (Lublin province), containing personal poetic extracts copied by an anonymous writer , and...
Since the days of Hugo Riemann (1907) the technique of conducting extreme parts of a composition in parallel tenths accompanying the long-note cantus firmus, is regarded as a specific feature of polyphony in the German-speaking area towards the end of the fifteenth century. The wide popularity of this technique, both in three- and four-voice pieces, is confirmed by the musical pieces of Adam of Fulda...
In view of the fact that classical music has been present on television almost from its inception, it seems surprising that very few studies have been devoted to this problem, the more so that it is difficult to accuse it of the poverty of substance. Showing classical music on television seems to bring the audience closer to the natural conditions of reception; on the other hand, television audiovisuality...
The purpose of the paper is to verify the widely held opinions about the alleged great effect of ancient jewelry (Greek and Roman) on the jewelry at the beginning of Modern Times and to examine what its actual influence consisted in. In the light of the conducted studies the propositions that antique jewelry largely shaped jewelers' art in modern Europe in the 15th and 16th centuries can be regarded...
The Congress Kingdom started the practice of housing the organs of territorial state administration in representative buildings. In Lublin, the major offices of the partition-time public administration occupied two large structures situated in the northern side of the Litewski square - the city's main square. One of them, the so-called Radziwill palace was the seat of the Commission for Lublin Province...
The chapter on wizards and witches, a part of William West's 'Simboleography' (London 1594), defines wizards as those who, by saying certain magic words, dare to try to achieve things contrary to the order of Nature and shows others things that are concealed. And that was exactly who Oskar Fischinger was, called the Wizard of Friedrichstrasse. Because talent and hard work alone would not be enough...
The first in-service teacher training centers were established in October 1945. Their purpose was to provide methodological assistance to teachers by organizing meetings, conferences, courses, reference library and art rooms depending on local and financial capabilities. These centers, also called teacher-training institutions or scientific-teaching institutions, did not form a single institutional...
The paper covers the issue, not yet systematically studied, of the functioning of the term 'metaphor' in the language of Polish art critics of the period of 'thaw'. The author presents the views of both the artists and the critics, and presents the specific understanding of this term in the area of discussion on art during that period. While collecting the scattered opinions on the concept of metaphor,...
We get to know Fryderyk Chopin's personality through countless sources of all kinds and origins. Two types come to the fore, which complement each other: Chopin's music and Chopin's letters. When we read the letters the figure of their author appears before our eyes in - sometimes pedantic - detail. Chopin is shown as a person living life with his head in the clouds on the one hand but keeping his...
Relationships between Cyprian Norwid and Fryderyk Chopin are one of the most interesting pages in nineteenth-century Polish and European literatures. The historic meeting of the two great Romantic artists, who are part both of Polish national culture and of the world's ideological and artistic heritage, has already been studied and described many times and in many aspects, especially in Polish literary...
The object of analysis are handwritten musical fragments, previously superficially examined, which Fryderyk Chopin wrote on the last page of the manuscript of 'Trio in G minor' Op. 8 [ref. no. Tic: M/1] at the turn of 1829/1830. The author rejects Krystyna Kobylanska's suggestion that 'this is a draft autograph of piano part fragments' [Kobylanska 1977: catalogue no. 80]. The purpose of the analysis...
The author's method of analytical sketch introduces the structural properties of selected evolutionary one-movement works by Fryderyk Chopin: 4 'Scherzos', 4 'Ballades', 'Fantasia in F minor' Op. 49 and 'Barcarole in F sharp major' Op. 60. Special attention was paid to the uniqueness of Chopin's creative concepts. In 'Scherzo No. 1 in B minor', 'Scherzo No. 2 in B flat minor', 'Ballade No. 2 in F...
Karol Szymanowski's views on Fryderyk Chopin's legacy, which he formed in the 1920s, played a significant role in the development of the contemporary model of reception of the music composed by the master of Polish Romanticism. They largely contributed to a move away from the dominant nineteenth-century tradition of heteronomic description of Chopin's music for the development of analytical methods...
Chopin's 'Barcarole in F sharp major' Op. 60 is one of the compositions characterized by an especially ample reception. The work was frequently described in programmatic terms, which can be called 'external' impressions but at the same time these impressions were marked by a certain detachment from internal musical phenomena that could determine programmatic interpretations of one kind or another...
The present article is an analytical insight into the expressive layer of Fryderyk Chopin's 'Polonaise in F sharp minor' Op. 44. Of special interest is the eight-bar introduction to the piece, which is the 'exordium' of the composition. The starting point for scientific interpretation is the initial motif of the composition, which the author regards as the musical-rhetorical figure 'imaginatio crucis',...
The purpose of the present study is to examine Fryderyk Chopin's oeuvre from the perspective of the principles of general artistic education relating both to the subject 'Music' in all stages of education and - in accordance with the trends in contemporary teaching - in the context of interdisciplinary approach to his works. / As the analysis of coursebooks approved for school use shows, the position...
When we take into consideration a plethora of various types of popular publications and mass events (concerts, festivals, recordings, performances) devoted to Fryderyk Chopin and organized in Poland for decades, we can come to the conclusion that this eminent composer is in a way overrepresented in Polish culture. Logic demands that Polish admiration for Chopin should be found in musical sensitivity...
The reception of Fryderyk Chopin's works, both in musical life and in literature, has changed during over 150 years since the composer's death. An example of this is the degree of popularity and the assessment of Chopin's two highly contrasting polonaises Op. 40. One, in 'A major', enjoyed immense popularity in the nineteenth century. It was often performed both at public concerts and at homes and...
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