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This article discusses the way in which the narrative technique of Juliusz Slowacki's 'Beniowski' and Julian Tuwim's 'Polish Flowers' appears similar to film editing with its staple devices like close-ups, long shots, cuts and crosscuts, montage and sequencing techniques. While acknowledging the limits of comparability of literature and film, it is possible to see in Slowacki's digressive poem an...
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