There is, among several others, one xylograph preserved in the library of the Oriental Department of Warsaw University containing a poem on Sarasvati by Tsong kha pa written both in Tibetan and Mongolian. When translating it, the authoress of the present paper, pondered upon the idea of a woman (as a goddess and vice versa) and the beauty (of a woman) in Tibetan (and Mongolian) Buddhist literature. And that is how these few thoughts were put into the following words.
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