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The article deals with a specific strategy of distributing artefacts via multiplied objects. This artistic standpoint led to the birth of an ideology of multiples in the 1960s, seeking ways of bringing art to most of the people, and of wiping out differences between artistic originals and industrial products. Although weakened in the following decades, this mode of artistic perception took a second...
The article examines the professional contacts of painter Hans Mattis Teutsch (1884-1960) with the Romanian avant-garde in all of their various forms. Educated in Budapest, Munich, Paris and Berlin, active in the circles around the Romanian cultural journals 'Ma', 'Contimporanul' and predominantly 'Integral' and the German journal 'Der Sturm'. From 1920 to 1936, H. M. Teutsch was one of the most...
Sophie Calle's literary texts are very profoundly associated with 'intimate writing', and they are fruits of various strategies as well, such as mixture of the author and the narrator, or keeping the reader in a 'pendant' position. Somewhere in between autobiography and a longing for fiction there is a vast self-fabulation, thoroughly confirming the artist's position as a writer and her authorial...
The author sees the artistic scenes of East European countries in the period after the fall of the Iron Curtain in 1989 as a birthplace of art torn between illusions and real things, between 'ostalgia' and its critique, one identity and then another one; of art in a process of 'permanent revelation', appealing to and talking about people, about what they are fond of and what they are confronted with;...
The article deals with an intellectual interplay between Clement Greenberg and Pierre Restany, two influential art critics of the 20th century, taking place during the early 1960s. Besides vis-a-vis dialogues, such as those during the Torcuato di Tella Prize Award in Buenos Aires (1964), they also met via publishing their articles in the journals Domus and Preuves. They discussed actual problems of...
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