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An attempt at comparing the Pina Bausch Tanztheater Wuppertal with the works of Tadeusz Kantor from the period of the Theatre of Death, examined from the vantage point of work with the actor, direction methods, the structure of the spectacle, and the rejection of the categories of time and plot. The central theme, however, is the actor, who by rejecting verbal expression communicates with the spectators...
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