It is not possible to make a clear definition of the Romanticism in terms of values or aesthetic canon, and also in terms of opposition toward other canons: e.g. Classicism. There are a lot of romantic authors whose works shows classicistic features (e.g. Chateaubriand, Byron, Delacroix, Kleist). It is necessary to understand Romanticism in its variants of 'Romanticisms - and see mainly variety of different 'ideological unites' and artistic forms, who could co-exist within one culture. The article contains three parts. The first one deals with the features of Romantic pluralism, the second one with philosophy of nature (F. Schelling) and the third one concern questions and problems about nature in the early Romantic poetry. There are problems concerning the Romantic understanding of the nature as it is not possible to make a direct and concrete picture of the nature in full authenticity of feelings and experiences. The solution of the problems is to understand the Romantic poetry in terms of communication, as a new type of human communication. That kind of communication based on the power of metaphorical language brings genuine pleasure and knowledge that brings people of different historical periods and different cultures together. That way it produces new values; they replace natural and inevitable truths of human emotions and that way they form a new person, a kind of 'second (parallel) nature'. That is why the virtual character of arts as a technique of communication and knowing of emotions is more important than the reality of nature itself.
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