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Program notes of (Western) classical music are usually written by musical experts. As a consequence, program notes information may not be very accessible to audiences which are less familiar with this music genre. To gain more insight in the way in which ‘uninitiated’ audience perceives and describes symphonic concert performances, in this work, we describe the acquisition of a dataset of various...
PHENICX (“Performances as Highly Enriched aNd Interactive Concert eXperiences”) is an EU FP7 project that lasts from February 2013 to January 2016. It focuses on creating novel digital concert experiences, improving the accessibility of classical music concert performances by enhancing and enriching them in novel multimodal ways. This requires a usercentered approach throughout the project. After...
In this work, we focus on visual information conveyed by performing musicians. While musicians are playing, their movement relates to their musical performance. As such, analysis of this information can support structural characterization and timeline indexing of a recorded performance, especially in cases when such analyses are not trivially computed from the musical audio. We propose an unsupervised...
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