In this contribution, we present the first analytical study of the painting “Christ in Gethsemane” (from a parish church of the Assumption of the Blessed Virgin Mary in Żagań, Silesia, Poland) which attribution to Michael Willmann (1630–1706) has been questioned recently by art historians. After some preliminary non‐invasive investigations, the painting was subjected to Macro XRF scanning. The further...
Financed by the National Centre for Research and Development under grant No. SP/I/1/77065/10 by the strategic scientific research and experimental development program:
SYNAT - “Interdisciplinary System for Interactive Scientific and Scientific-Technical Information”.