Search results for: Tiziana Cavaleri

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Below the surface of the coffin lid of Neskhonsuennekhy in the Museo Egizio collection

Tiziana Cavaleri, Paola Buscaglia, Claudia Caliri, Enrico Ferraris, more

The multidisciplinary and multi‐technical study of the coffin lid of Neskhonsuennekhy (Turin, Museo Egizio, inventory number S.05245) datable to the 26th dynasty (664–525 BC) was launched in 2015 at the Centro Conservazione e Restauro La Venaria Reale during the conservation activities required by the Museo Egizio, as part of wider research on the so‐called red coffins. Widespread abrasions and gaps...

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Enzymatic laundry for old clothes: immobilized alpha-amylase from Bacillus sp. for the biocleaning of an ancient Coptic tunic

Martina Ferrari, Roberto Mazzoli, Simona Morales, Mariaelena Fedi, more

Applied Microbiology and Biotechnology > 2017 > 101 > 18 > 7041-7052

The classification and conservation of ancient artworks (belonging to collections) is of important cultural, historical, and economic concern. However, ancient textiles often display structural damage that renders them fragile and unsuitable for exhibition. One of the most common types of damage is linked to erroneous restoration treatments, among which the application of glues to consolidate cuts...

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Pictorial materials database: 1200 combinations of pigments, dyes, binders and varnishes designed as a tool for heritage science and conservation

Tiziana Cavaleri, Paola Buscaglia, Simonetta Migliorini, Marco Nervo, more

Applied Physics A > 2017 > 123 > 6 > 1-15

The conservation of artworks requires a profound knowledge about pictorial materials, their chemical and physical properties and their interaction and/or degradation processes. For this reason, pictorial materials databases are widely used to study and investigate cultural heritage. At Centre for Conservation and Restoration La Venaria Reale, we prepared a set of about 1200 mock-ups with 173 different...

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Pigments and Mixtures Identification by Visible Reflectance Spectroscopy

Tiziana Cavaleri, Annamaria Giovagnoli, Marco Nervo

Procedia Chemistry > 2013 > 8 > Complete > 45-54

Non-invasive techniques, as well assessed, are commonly used as preliminary investigations on the superficial constitutive materials of works of art.In particular, when the sampling on the artwork is not permitted, non-invasive techniques, such as Visible Reflectance Spectroscopy, can face successfully the problem of pigments’ identification and characterization.Nevertheless, the application of this...

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Search results for: Tiziana Cavaleri

Below the surface of the coffin lid of Neskhonsuennekhy in the Museo Egizio collection

Enzymatic laundry for old clothes: immobilized alpha-amylase from Bacillus sp. for the biocleaning of an ancient Coptic tunic

Pictorial materials database: 1200 combinations of pigments, dyes, binders and varnishes designed as a tool for heritage science and conservation

Pigments and Mixtures Identification by Visible Reflectance Spectroscopy

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