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The topic of the paper is the idea of matter in Tadeusz Kantor’s painting after World War II, including metaphorical painting, the informel, and the painting of the matter (1945-1964). The artist defined matter as an indeterminate, universal foundation which is a vehicle of the attributes of all that can be perceived by the senses, both animate bodies and inanimate things. A starting point are Kantor’s...
Marian Sokołowski defined the identity of art history in Poland at the end of the 19th century. Setting aside institutional reasons (he worked primarily with Jagiellonian University) and the great commitment to the tradition of the so-called “Cracow School”, the model of the discipline he developed has survived well into the 20th century. This article attempts to introduce M. Sokołowski’s history...
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