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The idea of homogeneous decoration of sacral interiors, postulated at the turn of the 16th century in the texts of Counter-Reformation writers (Charles Borromeo, Robert Bellarmin, Cardinal Federico Borromeo) derived from the works of Gianlorenzo Bernini, who managed to couple the means of expression of architecture, sculpture and painting 'in tal modo, che di tutte si faccese un bel composto'. Bernini's...
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